Bernadette Strachan

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Of Soap Horror, Felicity Kendal vs A Squirrel & Fingers

09/21/2010

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ON SUNDAY MY MOTHER IN LAW CALLED ME A COW  But I can't really blame her. I'd just told her (unasked) that I've already bought all my Christmas presents. Even I think I'm a cow.
THERE SHOULD BE A WORD FOR IT  That feeling you get when you spot somebody in a soap opera wearing a top you have in your wardrobe. There is the thrill of recognition, the Oooh! of your velvety thing from Top Shop being on the TV, then the horrible realisation that you are, in some small way, like Sam Mitchell or Gail Platt.  Even worse is to spot Kevin Webster sitting on your sofa on Corrie, but perhaps the most pitiable victim of this syndrome is my friend who had to live through seeing her wallpaper on Hollyoaks. Hollyoaks!
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THE WORLD ACCORDING TO MAVIS  Just now she barked in her sleep and woke herself up.

THE WRITING PROCESS I doubt that you'll hear Martin Amis admitting this, but I just can't write properly if my hands are unmanicured. As my fingers flit over the keyboard I am distracted if the nails are ragged, and the cuticles are unseemly. Trivial, I know, but if my nails are neat scarlet ovals somehow the prose improves. Or at least flows.
THIS MUCH I KNOW John Travolta has a big face
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Telly  It's all about Strictly Come Dancing for me from now until Christmas. I won't refer to it too often in case you're allergic to it, but I'll be savouring the 'journeys' of the various slebs with the delight of a connoisseur. So many questions were posed by the teasing taster show which paired up the couples.  Will dead eyed Patsy Kensit wake up before the final? Can Ann Widdecombe get down with her bad self? Will Felicity Kendal combust with sexy older ladiness? And is Paul Daniels not a magician at all, but actually a horrid little squirrel? All this and Claudia Winkelman on It Takes two every evening as well.

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Of Frozen Green Things, Shimmying Jailbirds & Mavis

09/14/2010

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FUDE  A grape is just a grape. Until he's been in the freezer, whereupon he becomes a Frozen Grape. Small, frosted, atypically hard and a lovely eau de nil colour,  your cold little friend will effortlessly tickle your guests' jaded palates after a heavy meal, provide a diverting snackette at your desk, impress and surprise people who have never imagined a world where grapes are frozen (happily there are plenty of these people around).

No recipe is necessary for this beguiling little wonder. You really do just pick the grapes from their woody stems, jostle them into a freezer bag, tie them up tightly and freeze them. (My daughter likes these for breakfast.) (But she's weird.)

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ENCOUNTERS WITH THE FAMOUS  It's another biggie this week. It's George Michael. As a cake with a file in it sits cooling on my worktop (prison is no place for him) my wind wanders back to an evening in the last decade. I was sitting in a louche club, yawning beside my trendy male friend. He was very trendy,  very very trendy, the kind of uber-trendy that could be mistaken for Care in the Community: hats indoors, school blazers, occasional use of a monocle. I was probably in black, with very high heels and just too much make up.

A George Michael track came on – the coyly titled I Want Your Sex (one day we'll be singing it feebly around a Bontempi in the old folks' home) – and I perked up no end.

'Ooh, I love George Michael!' I said.
'He's rubbish,' said my over-styled companion.
'I love him,' I said.
'He's rubbish.'
'I love him.'
'He's rubbish. And look at that fat idiot dancing to this rubbish.'
I followed the line of his pointing finger. Both our pennies dropped simulataneously.
'That's George Michael!' we said together.
I simpered and sat up straighter. My friend said 'I dare you to go and dance with him'.
Up I jumped, wearing the hyper-casual expression that means I am dangerously excited, and insinuated myself dancily into George's clique.
And, Reader, he danced with me.


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THE WORLD ACCORDING TO MAVIS  Quite a week for our small hairy correspondent. We threw her an impromptu birthday party, long after the big day itself has passed. (She seemed unaware and she doesn't read this blog, so I think we got away with it.) We gave her a chewy stick hidden in a toilet roll and made her a pretty hat. She seemed ungrateful.

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Of Kylie, Sue and the Irish

09/08/2010

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It's (yet) another occasional series!

IRISH-ISMS  I'm made of Irish stuff, all the way through. But – and it's a big but – I was born in London. I'm definitely not London Irish (that conjures up images of thick necked rugby players high on Guinness, weeping their way through Danny Boy); nor am I West Briton (a contemptuous Dublin term for Irish people with a posh English tinge to their accents). I'm English to the naked eye and ear, but sometimes, just sometimes, some fruity Irish turns of phrase slip out and expose me as the Celt that I am. I'm going to share some of the ones I grew up with. I have no pretensions to accuracy, but you didn't really need to be told that, did you?

"Forty-Coats"
 A useful one, this. It's a not altogether complimentary nickname for a woman who pays too much attention to her wardrobe, your smug, over-groomed acquaintance who has a new outfit for every occasion and who always seems to be wearing something new (and slightly naff). Think Mother of the Bride.  “She's a right Forty-Coats”, my Grandmother would say about the woman next door, swanning off to mass in yet another foxfur stole. In modern times, Vanessa Feltz is a Forty-Coats, as is Carol Vorderman.

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I LIKE HER  Sue Perkins. Does everybody like Ms Perkins? Jaunty and flip, she has a tomboyish glee that is contagious. Prettier the older she gets (a good trick: how does she do it?) and dead clever with it. And she holds her own against the mighty self-love of Giles Coren in The Supersizers.

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I DON'T LIKE HER  Kylie Minogue. There. I've said it. Come lynch me, Minogue fans, I'm prepared to die for my beliefs. And one of my core beliefs is that women with faces like shrink-wrapped civets shouldn't claim to have had a mere touch of Botox now and then. Her expression is the same whether she's on stage, having an orgasm or attending a funeral. And enough already with the corsets and the feathers and the Manolo's, Kylie. She's obviously a pro, probably very nice, but I have a strong suspicion that without the auto tuning she sounds like Gordon Brown.

FAVOURITE QUOTE OF THE MOMENT  Outside a shop on Regent Street in W1 I saw a hoarding that read Where there's tea there's hope. And I cannot disagree. (Although I would add a Mr Kipling Bakewell slice for good luck.)
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Of How I Write & What I Eat

09/03/2010

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THE WRITING PROCESS  Some days, nothing happens. Nada. Not a single decent idea, no snappy dialogue, no nothing. What do I do on those days?

(a) Panic. This can be small scale (if I don't finish at least a thousand words today I'll be behind on my [frankly nuts] schedule) or on a more impressive scale (that's it! My career is over! I'll have to sell my hair and pimp out the spaniel to survive!). It's best to get stage (a) over and done with early, so as to move on and…

(b) Rearrange The Things On My Desk. I move the pen pot just so, a millimetre to the left. I twiddle the lamp. I restack the notebooks, in strict order of size. I might punch the gonk. Then I...

(c) Eat. A biscuit, a sandwich, or a whole hog on a spit. I eat when I'm blocked. And when I'm not. I wipe my lips daintily with a starched napkin and I...
 
(d) Work On Something Else. This shakes the brain cells up, stretches muscles that have been inert for a while. But there is a danger – if the Something Else goes too well, then returning to the blocked work can seem like a chore. As a last resort I can always...

(e) Watch Daytime TV. A desperate measure, but oh so moreish. Like Smarties, or heroin. Half an hour of Jeremy Kyle seems like a good idea at the time, but I always need a shower afterwards.

FUDE  Do you know what you need? I'll tell you what you need. You need a foolproof chocolate mousse recipe. I know, because I needed one for years and couldn't find one. Everybody likes chocolate mousse (yes, alright, except for you there at the back who is poised to email me – I accept that it can't be actually entirely true that everybody in the whole world likes chocolate mousse, but go with me here). But chocolate mousse is usually very dark (children don't like that, and neither do I). Chocolate mousse can be a bit of  a bitch,  'forgetting' to set properly when you have company.  So here is a milky chocolate mousse, suitable for children and the inner child. I make it in one big bowl and grown women have been known to cry when they realise they can take as much as they want and not have to pretend to be delighted with a sodding ramekin.

This is a Jamie Oliver recipe, but I substituted elderflower for cognac . As it contains raw egg, don't offer it to pregnant women or the elderly: it's a dinner party, not Russian Roulette.

Melt 225g milk chocolate and 70g butter in a bowl over a pot of simmering water. (You know how to do that, don't you? Good.) Whip 350ml double cream to the point where it's floppy and cloudlike: stop before it becomes clenched and pre-menstrual.

Whisk together 2 eggs and 2tbspns runny honey. Fold in 1tbspn of elderflower presse to the egg mixture. Then fold the chocolate and the cream into this mixture. Be gentle, don't rush, and keep folding until there are no streaks.
Pour into 6 ramekins or one large bowl and chill in the fridge until you need it.

Share it if you must.
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Of My Study, a Dog In a Pushchair and a Superstar

08/27/2010

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THE WORLD ACCORDING TO MAVIS  It's been a varied week for the hairiest member of the family. One afternoon she was sporting a headscarf, courtesy of Niamh. It rather suited her. Another day she went past my study door in a doll's pushchair, pushed by Niamh's giggling friend, Skye. The look of silent pleading on Mavis' face was moving. And funny. But this morning she asserted herself, growling, jumping and protecting the family from a pizza flyer that came through the letterbox.

THE WRITING PROCESS  I wrote my first book, back in 2003, in longhand, sitting at the kitchen table. It felt pleasantly retro. These days I write straight on to a sleek white Apple MacBook. There are always notebooks around, though. I have favourite pens, just cheap ones I buy in bulk on the internet. I enjoy their familiar narrow shape as I bash down sudden inspiration.  I have a study of my own these days, too. It's a pretty room, sticking out from the back of the house, with a window over the desk and french doors out to the garden. It's tiny, yet manages to boast a Victorian fireplace too. My desk is a chrome 1930's boxy design with a leather top. The blind is pink (as befits a romcom writer), the walls are white, and on the chimney breast there is green geometric wallpaper.  There are books crowding shelves, along with box files of paperwork covered in an Orla Kiely print. My favourite photo of my Dad, who died in 1998 (twelve years ago! All that love gone to waste!) smiles from the mantelpiece. Mavis generally snores from a rug on the floor. Niamh pops in slightly too often during the school holidays. Matthew leans on the door jamb a lot, suggesting tea, coffee, an illicit biscuit. I can see the pear tree out of the french windows. And the banal block of flats beyond.

Can you tell how much I love this room?
ENCOUNTERS WITH THE FAMOUS: ROBBIE WILLIAMS & ME
He's in the news again, getting married to somebody called Ayda and teaming up with Take That again: I prefer his slightly bonkers phases when he sees UFO's and buys wolves for the back garden.

Years ago, when Robbie was enjoying the first flush of his solo success, I had a boyfriend who was chummy with Guy Chambers, the uber-talented bloke who co-wrote Robbie's truly memorable stuff. One evening we found ourselves at Robbie's 'pad' (it was a pad, not a flat, trust me) in Notting Hill, awaiting a barbecue prepared by Terry Wogan's son. (Yes! Terry Wogan's son – this sounds as if I was dreaming, but it's true.) The pad was the top floor of a large white stucco house. Every surface was white. The furniture was space age-y white and chrome, huge leather sofas and pristine white rugs.  Tasteful, classy and luxurious, with a long terrace offering a view of a sunset conjuring up pinks and apricots and mauves just for us.
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Guy sat beside me on the sofa and said out of the corner of his mouth “What do you reckon is the only thing Robbie chose in this room?” I looked around at the books on art, the striking paintings on the wall, the tasteful furniture. My eye fell on something in the middle of the  white marble coffee table.
“The movable action figure of Darth Vader?” I suggested. Guy nodded.

(BTW Robbie Williams was delightful, if shy. When we left I thanked him for having me and he snorted and said “Ooh missus”. Just like you'd expect him to.)

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Of Sarcastic Machinery, Jewish Mothers and My Ill-Fated Romance with David Bowie

08/26/2010

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WHAT ARE THEY TRYING TO TELL ME?  I suspect my iPod shuffle of sarcasm. I laboured long and hard over a key romantic moment in the current book (it was a three Fondant Fancy scene: the chick lit equivalent of coal mining) and sat back to read my lush, pink-tinged prose. Cue Chopin's Funeral March.

Likewise my Ocado account is being facetious with me. The 'Things We Thought You Might Like' feature suggested hair remover and a marrow.
TELLY  Grandma's House BBC 2 Monday nights, 10pm
I didn't expect great things from this, presuming it to be a TV presenter's vanity project, presumably funded in an attempt to keep Simon Amstell, late of Never Mind the Buzzcoks, at the Beeb. Idly roaming the channels, listless and Victorian Invalid-like, I happened on the first episode, and fell for it. A slice of Jewish life, it had me from the line “I don't have a life any more. I can't eat crisps” uttered by Rebecca Front, as Simon's Mother. Affronted by his decision to resign from his high profile presenting job, she unleashes the maternal thumbscrews to try and force him to carry on, so she can carry on boasting about him.

How much this fictional family reflects Simon Amstell's real one is impossible to know (unless I ask him, I suppose, but that would entail tracking him down and befriending him; I don't have the time). The detail smacks of truth – I'm thinking of the aunty with the moustache here. I've long cherished a theory that Irish and Jewish families are alike and Grandma's House bears it out: Amstell's horrified refusal to reprise his childhood (very poor) impression of Dame Edna Everage for his Grandma ends with him giving in and shrieking an anguished Hello possums! as the only way of escaping from ruthless maternal pressure. Irish Mothers know how to do that too. Possibly there's an academy somewhere teaching the Golda's and the Bridgets the rudiments of child domination.

And of course, like the poor, Masterchef is always with us. Well done, Lisa Faulkner, you cooked the best, on a train, in a field and in the far more gruesome environs of the Masterchef kitchen, containing as it does Wallace and Torode. I was crazy for Lisa, constantly on the verge of tears and the possessor of 'a fantastic palate'. Neil Stuke invoked my ire early on by mentioning his late Father; departed dear ones who 'would be so proud' are the next worst thing to a 'journey' in my book. How will I fill my evenings without watching Christine Hamilton scare grown men by making jokes about sex whilst beating eggs as she would a runaway slave? Just have to cope, I guess.
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I DON'T LIKE HER  Perhaps I shouldn't criticise. After all, I've never given evidence at a genocide trial. But even so, Naomi Campbell was hard to like. The strange high hair, the mustard coloured outfit, the Duchess-at-a-garden-party demeanour all made me long to rush to The Hague and muss her up a bit. Mind you, I do admire her sang froid when woken in the night to be given diamonds by strange men at her hotel door: each and every time that's happened to me I've told everybody about it.

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I LIKE HER  Politics aside, what a woman. Stylish and magnetic without being off puttingly perfect, Michelle Obama looks strong and capable and decent, with a killer figure. I love the long arms, the slightly loping stride. She nags the most powerful man in the world, and he seems to love it. A perfect role model, her femininity and her strength in perfect harmony. Because that's what real femininity means, right? The strength to keep it all together. (Compare and contrast with the woeful freeze-faced Carla Bruni, mistress of the hair toss.)
 
Michelle seems to be a grown up. We need them at the moment.

FAVOURITE QUOTE of the moment An actress friend visited the other day, with tales of her current job performing sedate concert parties in old folks' homes. She loves her audience and we heard all about the various characters she's met. After the conversation moved on, she realised she'd left somebody out. 'Oh! Oh! Oh!' she flapped. 'Did I tell you about my lesbian with a phobia of balloons?'
Oh look! It's the start of another occasional series!
ENCOUNTERS WITH THE FAMOUS
Note: as this series continues, we may have to be generous about the term 'famous' but not today! Because today we hear about
ME AND DAVID BOWIE  I have a friend in the music business. A friend in the music  business is handy, ladies, because music business expense accounts make tory MPs' receipts look like a Quaker light lunch. For some reason, he had to visit Dublin. I went along, murmuring the words five star hotel like a mantra. There was a rumour that David Bowie was in residence. I reeled. David Bowie's face on my bedroom wall got me through adolescence (even when my Aunty Eva put her head round the door and disparaged his teeth). Sitting alone in my room I opened the door to a housekeeper who said 'Laundry!' and pushed in a rail of white shirts. 'We didn't …' I began to say, but then I held my whisht, as they say in Dublin. Pinned to one of the sheets was a scribbled note – D.Bowie.

Yes, I was alone with David Bowie's laundry. I did what any rational person would do. I put on one of the shirts and danced to 'Rebel, Rebel'. Then I rang room service and watched them take them away.
(After a few drinks I can work this story up so that I am practically engaged to David Bowie by the end of it.)
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Of Becks, Jacko & a Spaniel who’s Had It All Taken Away

07/31/2009

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BECKHAM'S BITS  David Beckham, when will you have enough money? When will you stop putting pictures of yourself in your knickers up in shops? It’s distracting, frankly, and the tattoos make you look like a very well groomed pikey. If you spend a thousand pounds a day from now on, you’ll still have more disposable income than Midas, so please, Becks, put ‘em away.

Beckham's Bits

Mavis
MAVIS  I know it shouldn’t be funny, but it is: I’ll miss the funnel collar that Mavis was sporting after her op. (She was ‘done’ – she will never know the joy of motherhood …)

MICHAEL JACKSON, OBVIOUSLY  Never has the phrase ‘you couldn’t make it up’ come in so handy. Back at my school discos, Michael Jackson got us all up on our feet. He was so skinny, so supercool, and his voice was pure excitement, but my nostalgia is tinged by, God, so many things, where do I start? It’s a very complex sadness I’m experiencing over his death, the sort you have to pick over and examine to make sure what you’re actually feeling. There was only one feeling after the memorial concert though – Don’t let the Jacksons bring up his kids. Stroking that poor child with their ‘tribute’ gloves (where did that idea come from? Nobody wore ‘tribute’ support tights at my Nana’s funeral) after relishing her sobs in front of a worldwide audience while her Father’s coffin (gold, natch) stood a few feet away … those children would be better off going feral in the woods around L.A.
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Of dogs, dolls’ houses and black, black eyes like the devil

06/14/2009

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THE DANGERS OF SPARE TIME  It’s been two weeks since I gave my sainted editor my latest manuscript. In that two weeks I planned to start writing a radio play, spring clean the house, visit all my neglected friends, go to the theatre, wash the dog, in short do all the stuff I can’t normally do because I’m locked in my study, superglued to my laptop. In the event I did nothing. Oh hang on. I made curtains for Niamh’s doll’s house.
 
TELEVISION  Well, The Apprentice is over and with it any hope of conversation from me. I was obsessed, to a degree that is unattractive in an adult. I knew everything about Ben, about Yasmina, about, God help me, Nirdal. I studied the way their emotions flickered across their greasy faces (who does the lighting for that show? Everybody looked like day old rice pudding) and I saw in to their souls. Now, though, I am bereft, and Big Brother simply doesn’t cut it. I can’t be party to any situation where one adult (in this case a producer) encourages another adult (in this case a publicity seeking freak) to change their name by deed poll to Dogface. Urgh. I avoided Britain’s Got Talent (which could be renamed Simon Cowell’s Got Nerve) until the final, which was mind blowingly dramatic, banal and urgh-inducing. The self pitying saxophonist was beyond parody. But it led me to Diversity. And to Ashley, the choreographer and main hottie. An exhaustive poll (of the two other women in the room at the time) proved that it is not only alright to fancy Ashley, it is mandatory.

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NO ILLUSIONS  I can’t pretend any longer. I’m officially middle class. I’ve always believed myself to be proper, old fashioned working class from solid Irish stock. But you can’t kid yourself any longer when you pay a dog behaviour expert one hundred and eighty pounds to talk to you and your spaniel for four hours. In case you’re interested, Mavis can now sit on command and has only wet the floor once in the past week. Which is more than I can say for Matthew.
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I LIKE HER  Keeley Hawes. Despite having a name that sounds like an anagram of something brutal, she’s fascinating for her meaty combination of talent, beauty and lack of vanity. She looks as if she laughs. What’s more, she’d laugh at you if the mood took her.

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I DON'T LIKE  Jonathan Ross. And I used to love him, so I’m feeling let down. I relied on him to be genuinely funny in a world of scripted toss, but then he had to go and be horrid to Manuel. I surprised myself by coming over all my Nana about that episode: I’m very broad minded and can forgive a lot in pursuit of a giggle, but he was mean to a genteel man who didn’t deserve it. Now I can’t enjoy him. I doubt if he cares.

BOOKS  The Blue Hour is a biography of Jean Rhys by a writer called Lilian Pizzichini. I’ve been whisked off to the south seas for Jean’s childhood every night in that precious ten minutes before I give in and fall asleep. Voodoo, discontented natives, a Mother colder than the Ice Queen’s noonoo – so far it’s a wonderful read. It’s going to get sadder, I know Jean Rhys had a sad, alcohol riddled, lonely life, but I trust Ms Pizzichini to guide me through it and keep me interested. Digressing, but only slightly, I mentally ‘hurrah!’ed when reading an interview with Nick Hornby this morning. He said that people in the book trade sometimes forget that most people don’t read during the day, that they read at night and they need a book that repays their half hour of effort. How true. I used to devour books, rampaging through them like a Man Utd player in Chinawhite, but now I only read in bed when the house is quiet.
MORE TELEVISION  Mitchell and Webb are back, on Thursday nights at 10pm. Proper wit, with lots of charm and originality. Although I can never quite get out of my mind the time my friend Kate described David Mitchell as having ‘black eyes, black like the devil’.
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It is not mandatory to fancy David Mitchell, by the way, although many ladies appreciate a man who can wear crumpled corduroy with conviction.
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Regarding superstition, ballroom dancers and a funny lady

05/07/2009

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PIE It was a very good shepherd’s pie that I made last week (top tip: a dollop of tomato chutney in the mincey mix) but I thought it would never end.

Day after day, when Matthew would hopefully ask what was for dinner, I’d say brightly ‘Shepherd’s Pie!’ as if he hadn’t already eaten his own weight in the bloody stuff. ‘Great!’ he’d say, then slink off to keen somewhere. But it’s all gone now. And I won’t be making Shepherd’s Pie again until perms come back in to fashion.
 
SHOES ON THE BED I pride myself on not being superstitious.  My parents were super-superstitious and it infuriated me. My Father would dance a polka of panic if he cracked a mirror, and my Mother happily prophesied an argument if she saw knives crossed on a plate. There’s no place for these doughily peasant fears in our bright shiny modern world. I chase black cats, I laugh in the face of the single magpie, I detour under ladders. Why, then, am I unable – physically unable – to put new shoes on a bed? Accustomed to spinning in her grave at my beliefs or lack of them, my very superstitious Grandmother is presumably having a smug little rest just now.


DOG/EGG CONUNDRUM If you read regularly (and God bless you and keep you if you do) you’ll be aware of Mavis, our dog.


You may also be aware of Eggs Benedict. I’m inordinately fond of both these things, altho’ Mavis is better company. I ordered Eggs Benedict when Matthew and I had a rare Niamh-less night in a hotel to celebrate our wedding anniversary this week, but as I raised the fork to my mouth I stopped. (This is rare – forks do not stop on the way to my mouth, unless there’s a fire alarm or somebody is pointing a gun at me.) ‘Here,’ I said to my husband of exactly eight years. ‘What does that smell remind you of?’ ‘Mavis,’ he replied without hesitation. Put me right off.


And here’s the start of an occasional series! Oh the excitement.

No, I don’t like him Anton du Beke. Can’t like him. (I haven’t tried very hard, but all the same.) He’s so oily, treating the viewing public as if they’re a mass of sex-starved octogenarian ladies all gagging for a glimpse of his bony behind as he drags some poor celebrity around the Strictly Come Dancing set. He seems to be becoming a celebridee in his own right now. He looks at the camera as if there’s a mirror on it, and he’s admiring his own glorious features. I saw him in the street the other day and purposefully didn’t let on I recognised him. Ooh, I’m hard, me. Oh, and his real name is Anthony Beak, for goodness’ sake. I think I’ll write my next book under the name Bernadine du Strack.


Yes, I do like her Claudia Winkelman. Once I’d come to terms with the thinness, the orangeness, and the nature of the eye make up, I realized I love her. She’s funny, and original, and so very small that it puts her on a par with Mavis vis a vis cuteness levels. I like to see witty women doing well. And she’s got lovely hair. I only really like the sort of people you can imagine lunch in a restaurant just going on and on with, and I fondly fantasise that Claudia and I would still be there when dinner started.


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A MINIBREAK

04/14/2009

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STOCKHOLM Very jolly, the Swedes. Never thought I’d write that sentence. I thought my trip to Stockholm would be a two day long Bergman film, but it was a delight. Stayed in a hotel owned by Benny from Abba. Yes, really. It was 5 star funky opulence and comfort, yet cost less than I’ve paid for chain-hotel misery in this country. The Swedes are very well dressed, very cool, but friendly and natural. I felt right at home. Not because I’m well dressed, you understand, despite the new trousers I was sporting, but because everybody spoke to Matthew and I as if they’d known us for years. I saw no WAG-style nightmare young women at all, although there were herds of 80’s kids. The night before, at home in Kingston, we’d passed countless girls dressed for an orgy somewhere much warmer than Kingston, and it was nice to be surrounded by women with actual clothes on, as opposed to strips of lycra. I’m a convert to the Nordic way of life, but this always happens. I come back from Rome on an imaginary vespa, and when I get back from Ireland I cry sentimental tears over anybody whose surname begins with O’.

PRINCE Niamh, my 5 year old, is a Prince devotee. Especially 'Get Off' and 'Kiss'. Although she confuses him with Michael Jackson. Her love of the latter led to me trying to explain plastic surgery in terms she would understand. He asks the doctors to change his face around I stammered.

TELLY Hoovering up the Easter leftovers before the post-Easter diet meant that I was enjoying a cream tea for dinner as I settled down to watch the first instalment of Hell’s Kitchen. I learned so much. I learned that Linda Evans’ lips are not nice (they seem to have been turned inside out by a bored plastic surgeon). I learned that Grant Bovey (husband of Anthea Turner, God help us) refers to himself in the third person. And I learned that Marco Pierre White is the most ponderous, self obsessed sod I’ve ever come across. The simplest question gets a Yoda-esque, carefully enunciated response. ‘Where,’ you might ask, ‘do you keep the cheese, Marco?’ He would reply, ‘Ah my friend. If it is cheese you seek, why do you ask? If I were to tell you, what would that make you?’ (He often includes one of these mantrap little questions, to which there is no correct answer, only kitchen-y death. Quite fun watching Adrian Edmondson struggle with how to answer ‘Did you season it?’ about a beef sandwich.) I hope fire never breaks out in Hell’s Kitchen because Marco is incapable of shouting ‘FIRE!’ he would have to drawl ‘When heat meets chip oil, my friend, something is bound to happen.’

BOOKS Just finished The Genius and The Goddess by Godfrey Meyers, a book that examines the professional and emotional partnership between Arthur Miller and Marilyn Monroe. There are snippets in here that Mr Miller left out of his mighty memoir Timebends, and much new, scurrilous stuff on Marilyn. (The bald assertion that she was a prostitute seems unsupported by any source.) Such a beauty, such a pain in the ass. Sorry, arse. I always catch vocabulary from reading.

EASTER I baked a cake, a gooey chocolate one which is my default cake. There were chicks on it, not real ones, that would be silly. Dressing the table for a big lunch I started off stylish and chic, then mouthed oh sod it and strewed the whole thing with rabbits, chocolate eggs, fluffy chicks emerging from plastic eggs, the lot. We had not one but two easter egg hunts. We know how to live, don’t we?

WRITING  After a week off (Stockholm, then Easter visitors) I’ve forgotten how to do it? Any tips, anyone?

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    About Me

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    I am Bernadette Strachan, but please call me Bernie or I’ll assume you’re telling me off. I am an author of romantic fiction, with added funny bits. Six books are already out there in the world (WHY DO WE HAVE TO LIVE WITH MEN? came out in October 2010) and number seven is coming to life under my fingers at the moment.

    I live in Kingston, Surrey with my husband, my daughter and our dog. The husband is Matthew, a composer. The daughter is Niamh, she’s six years old. The dog is a spaniel called Mavis. She is quite thick. As Niamh might put it, I superduper love them all.

    I’m mad about books, and consider it a privilege to be paid to write. I love to cook, I overeat, I feed gangs of people as often as I can. I’ll be your friend forever if you offer me Pavlova but I may avoid you if you insist on giving me fish. Just can’t be doing with fish.

    I can’t bear txtspk, I love bad television, I think Johnny Depp should be available on the national health. I’m rather shy, although I can be horrendously extrovert when the spirit moves me, I do yoga once a week, I have a stationery fetish, I love it when Niamh puts on shows for me in the kitchen.

    Err, that’s all really.

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